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Moments

TUI Cruises

Mein Schiff fleet, at sea.

The hardest venue we work in floats.

Every theater in the world rests on one assumption nobody ever mentions: the floor stays put.

At sea, it doesn't. Every evening, around 1.000 guests take their seats aboard a Mein Schiff while the ship keeps on moving. Each show runs for an hour and is cut from between 10 and 22 video tracks. When the cruise ends, those guests go ashore, new ones come aboard, and it all starts again from the top. We made more than 30 shows for TUI Cruises that work exactly like this, and many of them ran for years.

What we built

The repertoire

The list includes Filmsong Gala, Rockshop, Romance and Dance and several Schaubühne productions, plus signature pieces written for a single ship, like Lied der Gezeiten for Mein Schiff 4, stage set included, and Die Zeitreisenden for Mein Schiff 5. Every new ship in the fleet gets an inauguration show of its own. Over the years, it has turned into less of a campaign and more of a catalog.

The production

Most of the work is less glamorous than the result. Actors, singers, comedians and artists are filmed, and the footage is woven into the motion design until screen and performers read as one piece, rather than a band standing in front of a slideshow. The staging plays by different rules than anything on land: modular, easy to store between runs, and able to handle salt, humidity and a floor that's never quite level.

The holograms

Then came the holograms. After a year of research and testing, we produced full-length 3D hologram shows with performers like Ute Lemper, cellist Jan Vogler and the Flying Steps, filmed in the studio and rebuilt in 3D sceneries. A custom theater had to be fitted into the ships to house the equipment. Plenty of guests left convinced the artists had been on board.

The pool deck

For the christening of the new Mein Schiff 1 in Hamburg on 11. May 2018, working with lead agency Insglück, we designed and produced the digital content for a 20-minute show on an LED floor laid over the 25-meter pool. It turned the deck into an underwater world, then into a night sky. One evening, one audience, no second take, and a swimming pool right underneath.

The challenge

The setup: an audience that changes with every cruise, a theater that moves with the sea, and a cast that rotates. The sets have to come apart, go into storage, and come back for years. And when something breaks, good luck finding a rental shop. The nearest one is on shore.

Some of these shows have outlived the trends they were made in. At sea, sustainability sometimes just means nobody ever found a reason to replace them.

Credits

THE STORYTELLING COMPANY

Concept & Design

Stage Design, Show Design by flora&faunavisions (now The Storytelling Company)

Content Production

Motion Design, Video Content, Holography, 4K Video Mapping, Film Production

PARTNERS

Lead Agency, Mein Schiff 1 Christening

Insglück